Audiences Reject Woke Television: Many Leftist Shows Cancelled in 2022

Americans do not want to see woke television. A flood of series cancellation announcements has hit the airwaves this year. Many of the worst woke shows of 2021 have been cut for 2022 due to low ratings and audience rejection.  

Below, from cable to streaming, are leftist, agenda-driven shows from the past year getting the ax in 2022 due to audience rejection.

1. The majority of viewers continue to disapprove of LGBTQUIA-centric series.

Hollywood desperately wishes most humans rejected “heteronormativity,” and they regularly pump out shows centered on LGBTQUIA narratives. Naturally, most of those shows fail because the majority of television audiences find current Gay Inc. obsessions alienating. 

Showtime, for instance, announced last month that it was cancelling its programming. Progress is the goal, a self-described show about “a 45-year-old self-identified fat, queer dyke.” Remarkably, that description did not entice viewers.

FX then officially cancelled its contract last week Y: The Last ManOnly one episode remained. The dystopian show about an apocalypse that kills all biological men, but leaves trannies, had ridiculous lines like, “We’ve found plenty of men. No one has a Y-chromosome.”

Cable and streaming services had already introduced and then pulled multiple off-season LGBTQUIA-centered shows last fall due to lack of viewer interest. Shows included Freeform’s All Things Will Be OK, which had a wedding of two “aromantic homosexuals” (a newly invented “sexual identity” that really just describes best friends) and Lena Dunham’s awful GenerationHBO Max. Generation’s sick dialogue included a child asking two gay men if they were going to “touch penises.”

2. The Anti-White Show Gets Poor Ratings

Besides LGBT, Hollywood also likes to push Critical Race Theory (CRT).  HBO Max published a 2021 “reimagining” of The Treatment. Original In Treatment, starring Gabriel Byrne, was about a psychiatrist who treats patients while struggling with his own personal issues. 

All the reboot writers did was re-imagine the old show with vicious anti-white hatred instead. New therapy sessions were used to vent about white people in the revival. 

The new therapist, played by actress Uzo Aduba, expressed her most extreme vitriol for white men in particular, calling them “Fu**in’ white guys!” The show’s audience score on Rotten Tomatoes was a meager 38% and it’s not getting a second season.

3. Audiences Reject Anti-Christian Attacks

An assortment of anti-Christian TV shows had to cancel their programming this month. Showtime was at the bottom of this list. Black Monday. Episodes included a character throwing a drink at a crucifix and yelling, “F**k you God!” It turned the Last Supper into an homoerotic makeout scene. Of course, the show also pushed BLM lies and routinely attacked conservatives as “bigots.” This unwatchable chaos is over.

Peacock’s adaptation of author Dan Brown’s The Lost Symbol also turned off viewers. It attacked the Bible as a “bizarre book” with “outdated beliefs” and “outright absurdities.” Turns out, the public is tired of Dan Brown’s hatred and bigotry. Season 1 of The Lost Symbol was a ratings bust and isn’t being renewed.

Other woke shows covered by Newsbusters in 2021 that have been canned for 2022 include Netflix’s Gentefied, which praised illegal immigration, and the Disney+ show A Diary for a Future President Tweens were used to promote radical feminism, and “heteronormative” rituals. 

After Gentefied’s ABC News said that cancellations were being made because of “this keeping happening to Latino-led programs.” Maybe it wouldn’t happen if Hollywood stopped treating Hispanics like left-wing political pawns and instead green-lighted scripts that reflected their ideological diversity.

The audience wants stories that feel authentic, and not driven by agendas. Hollywood’s woke garbage will be rejected by the audience. In the meanwhile, they are seeking out entertainment alternatives, whether it’s the rare conservative show or crowd-funded favorites like Angel Studios’ The Chosen. Left-wing studios may continue to reject good storytelling, but Americans are not watching.

 

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